After the loss of the majority of certainties in the understanding of photography, after all of the excessive accessing of photographic images, it seems appropriate to ask the question: how did it get this far? Which "turns"—the historiographic, the archival, the research, and the postcolonial turns—have served to affect, change, revamp? What can be said about photographic images in a time of the post-documentary, and the post-photographic? What comes after the unease about representation, and what disquiet has seized the photographic images of today?

A glimpse into the archive at Camera Austria attempts to trace several of these winding paths of "the photographic." In this special issue, which consists of image material from Camera Austria's archive and an essay by Reinhard Braun (artistic director and publisher of Camera Austria), we revisit some turning points in the debate about the photographic image—not as knowledge that has been set aside, but...

Ways of Seeing

Curators: Sam Bardaouil and Till Fellrath

June 2–August 20, 2017

Taking its cue from Ways of Seeing (1972), John Berger’s critical text on visual culture, this group exhibition explores the various formalistic strategies that artists employ to re-configure our perception of the world. Curated by Sam Bardaouil and Till Fellrath of Art Reoriented, the exhibition posits the surface of the artwork as a space of encounter between the internal aesthetic deliberations of the artist’s creative process and the external often-conditioned gaze of the viewer. Ways of Seeing presents contemporary paintings, photographs, sculptures and videos, alongside artworks that span several centuries. It unfolds along a non-linear temporal thread whereby the viewer’s desire to “understand through seeing” is constantly challenged through artworks that refuse to operate along the rigidity of styles, genres, and so-called “isms.” In doing so, we are reminded that “the relation between what we s...

Please reload



to follow


    malcy delacour